Triangle Jib

Light Weight modular Jib Arm with multiple Remote Head options. 6 to 40 foot reach, can be configured for "Single Operator" or "Cine Style" uses, on track or on a beach, a budget friendly option that can deliver serious results.

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Available in sizes from 6 to 40 feet, the T-Jib can fit in almost any location, and will add production value to any shoot. It can support up to 50 lbs of camera with an arm length up to 30 feet, and 25 lbs of camera at 40 feet. As the arm increases in length, the perceived arc (evident in all fixed length arms) is reduced, so even if you don’t need the lens height a longer arm will provide, the increased arm reach will make every shot look more fluid and will allow for a longer move. If you have the room, use the longest arm you can! Our technicians will consult with you to as to the best use of the equipment as your shoot progresses, and all of the parts are included with the system, so you can shoot with a short arm in the morning and a longer setup in the afternoon. A jib technician can assist the Operator in making changes in the system on the day

 

 

a_PanaflexOur T-Jib is perfect for Live Music and Music Videos, Sporting Events, Documentary, difficult to access Location Crane work, Studio Production, Parades, even Features, Episodics, Sit-coms, Commercials and Industrial films.

Complete with it’s own Remote Head, the T-Jib can be constructed in many lengths from 6 foot reach all the way to 40 foot reach.

Strong enough to support a 35mm Panaflex with a 10-1 zoom and a 500’ magazine, yet lightweight enough to build on a rooftop, the T-Jib can be a lower budget alternative to our other crane and remote head combinations.

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a_Jib_controls04The T-Jib can be configured to be operated by a single person * who controls Arm Boom & Swing, Camera Pan & Tilt, and Zoom, Focus and Iris on the lens. This setup allows for unrehearsed movements without the synchronization issues that would occur when using a separate camera and arm operator, and can save the production in labor and rental costs as compared to other systems.

* Some longer arm configurations or weather    conditions will require a 2-person setup.

 

 

 

 

a_Photo_020806_00302If you are shooting film style, we also offer a familiar 3-person setup with a separate Arm Operator, Focus Puller and a Camera Operator who uses a film-style  crank wheels interface. We include a wired follow focus with the Film-Style Production Kit or can provide a stand-alone wireless Lens Control for your focus puller. Please reserve a focus system in advance, as these systems are available independently of our cranes.

 

 

 

 

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Also available is a joystick interface laid out like a video-style remote head control desk. This system allows the Camera Operator to control Pan, Tilt, Zoom and Focus while the arm is operated by another technician.

We can provide as many additional technicians or operators as you require, or our technician(s) can work with your existing crew members.

 

 

 

 

a_TrailerThe entire system fits in a small trailer and is transported to your set by our technician(s), who then will custom build it to fit your needs, operate the system for your shoot, and wrap out the equipment at the end of the day.

For any shoots that require a lightweight, portable arm,a_Lincoln_Museum the T-Jib is perfect for any production medium; Film, Video or High Def.

 

T-Jib Gallery:

SuperTechno 50

The Super Techno 50 is incredibly versatile and can carry a camera from ground level to 50 feet of lens height while still compact enough to get through a typical 7ʼ double door. Standard and included is the two and three axis remote Z head, ideal for use with the Super Techno 50.

SuperTechno 30
The Super Techno 30 is a highly sought after telescopic crane because of itʼs size, range and incredible versatility. There are a number of stabilized and standard two and three axis remote heads for use with the Super Techno 30. The Super Techno 30 has an optional Speed Box, which can double the telescopic speed of the arm
Techno 15
The Techno 15 is a perfect solution for confined spaces.  The base weighs 148 lbs. and is a mere 2’ 7” wide, so it can fit through most single person doorways.  The arm weighs in at 287 lbs. so it can be removed and put into place by grip crew.  With the crane raised to its highest position and the arm tilted up, you can reach a maximum lens height of 15 feet in less than half the space of any conventional crane. the optional speed box will double the speed of the arm's telescope. The included Z Head can be configured for any camera, and can also be built in a 3 axis mode
Jimmy Jib Triangle
The Jimmy Jib "Triangle's" modular design allows you to start small, then expand your system later if you have the need. Expandable up to 40' this crane can be all you need for a variety of shots.
About Us

About Us

We are always available for consultation, advice and location scouts: the next time your production brings you to Chicago, Illinois, or anywhere in the Midwest, Great Lakes, or anywhere in Middle America, feel free to contact us at any time. We are always happy to hear from you via telephone or email, and accelerate at consulting with the production or technical crew regarding the needs of your specific setup. We have been doing this for over 15 years and have likely done what you want to do before. Feel free to give us a call, email or stop by for a demo (appointment required) 847 869-0300 Info@CameraCraneSpecialists.com
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